The Pink Hat

“The Pink Hat” is a painting I’ve been wanting to do for months! A dear friend had been to Uganda, and this little girl’s picture was among the photos. Her innocence was so compelling. So was the hat. Interestingly, the most difficult part for me were the hands. The way the lighting fell on them, and basically removed the dark brown color, made for an interesting problem. How to place the light and not draw the eye there as the subject was really the face!

 

Women Waiting

I forgot to take a picture of the initial drawing. Frankly, I’m amazed I remember to take any pictures at all. I get so immersed in the paint that I forget where I am.

She looks a bit strange…however, I’m trying to locate the shapes and values. The lines had already suggested the movement or placement.

Women Waiting

Where are the darkest darks, the midtones, and the light?

Women Waiting

I’m still laying in the darks, and finding the placement of the facial features.

Women Waiting

She’s starting to take form, and I can lay in the hat, which I’ve been dying to do. I just love her expression!

The wonderful part of being a painter is that you can decide what you want to emphasize or not. What color should the background be? Green is the complement of pink…does that work?

Women Waiting

I love her outfit. Again, what shadows do I bring forward (with a reddish tone) or set back (with a cool blue or blue/black). You can create great tension with cool colors against warm, not just light against dark.

Women Waiting

I decided I wanted a Ugandan countryside behind this little Ugandan girl. It’s filled with greens, pinks and oranges.

Now I’m moving to the hands with the gown as the background.

Women Waiting

Her right hand was interesting in that there were so many colors, shapes, darks and lights.

Women Waiting

The left hand was a bear! Hands are so expressive. I remember my mom’s hands so well…she who couldn’t sew on a button, but spoke volumes with her hands. I wanted these hands to express a certain vulnerability. Only time will tell if I succeeded or not.

Here’s the final piece. I decided to go with the left hand connecting with the right but relaxed as she’s not thinking about her hands. This hand was rough as I stated before. You have to be careful where you want the eye to go. It will be drawn to the light, and the hand is not the subject but, hopefully, an added statement.

THANKS if you managed to get to the end of the blog! Please comment if you have things you’d like to know or if I’m not conveying my thoughts in a way that makes sense (which is highly probable..).

’til next time!

Sarah

Thanksgiving Blog

Sarah's Update  What a year this has been! Most of it has been dedicated to illustration and the publication of our book, Frog's Rainy-Day Story and Other Fables. I've been able to grab time to fit in these little paintings, which I've grown to love. I have them...

James’ New Puppy

This is James and his new puppy. His grandmother (a dear friend) asked me to paint a portrait as a Christmas present to her son and his wife. She wanted a soft look, and watercolor is a perfect medium for that. I was given a 3"x5" photo from which to work, and the...

Pastel Portrait

     A dear friend, Jan Fincher, asked if I'd do a pastel portrait of her three children when they were little (being now fully grown with children of their own).      She then gave me a wonderful 3x5 photo taken many years ago of the kids in a bed of tulips!...

Out On A Limb

Out On A LimbThis piece, "Out On A Limb," was so much fun to paint! This is a watercolor on watercolor canvas, which I've never used before. Every medium has its own very distinct look. This wood stork is young. Notice that it still has tufts on the top of its head,...

Charleston At Dawn

This is a commission that I just finished for someone who had seen the photo (below), and wanted me to paint it. I knew that the photo below (taken by Luke Champion, a teenager who has split-second reflexes) needed to be a watercolor, as there were these wonderful...

Winter Rose

How this still life evolved I started out with this rather pathetic setup. The rose was dying, and I'm working against time. I loved the light on the vase, and the colors in the rose, but not the pine table top. This is when I decided to improvise.    I laid in the...

The Pink Hat

"The Pink Hat" is a painting I've been wanting to do for months! A dear friend had been to Uganda, and this little girl's picture was among the photos. Her innocence was so compelling. So was the hat. Interestingly, the most difficult part for me were the hands. The...

Portrait of a very dear friend

"Doots" My childhood best friend, who died last year was just so full of life! She loved to laugh. We met in pre-nursery school, and were both "Doots." We started the renowned "Doots & Doots Detective Agency"... solving all manner of crimes...often ones that we...

Teaching this class was so much fun!

I taught my first class! They liked it!! Who knew....   When I was in my twenties, I taught an art class of about twenty students, all ages. Within several weeks, most of the class had evaporated!  After that, I determined that I should leave teaching to...

Painting On A Billboard!

  I never thought that a painting I did with enticing lips would be chosen to be on a billboard!     A wonderful group called "ArtPop" (ArtPop Street Gallery) is on a move to fill billboards all across the US and eventually even in Europe with art!...

Sarah Buell Dowling’s First-Ever Sale

I'm posting birds probably because it's spring, and we're moving, and I'm decidedly feeling the nesting urge. Our house has sold, but we're not clear where we're headed yet, except we know we're staying in Charleston. I want all my paintings to find a nice home...

Christmas Commission

This painting was a Christmas gift from Luke to his wife, Rosie. Tackling this portrait was scary because I know Rosie, and I wanted this to be good, PLUS I’ve never done anything with this many different personalities in one portrait. I mean, look at the...

Christmas Blog

  Merry Christmas & Happy New Year to All!   Sarah    

Blog

Merry Christmas & Happy New Year to All!            

Holiday Season Blog

"SOPHIE"   Pastel Portraits Make wonderful Keepsake Gifts! "Two Asparagus" - watercolor print "Shallots" - 11" x 11" watercolor available for sale "Merry Christmas, Sophie" - Personalized digital print fits right into an 11" x 17" frame ~ wonderful gift for a child ~...

Pastel & Charcoal Pencil Portraits!

"SOPHIE"   I'm now offering colored pastel as well as sepia and charcoal portraits! These make really wonderful gifts! Patrick’s boys actually picked the charcoal as the look they would like. They’re thrilled! To see more portraits and to order click...

PENCIL PORTRAITS

Image size - 11" x 14" Matted size (ready for framing) - 16" x 20"                        ~ 3 DIFFERENT CHOICES sepia on toned tan paper sepia on white drawing paper charcoal on toned gray paper                        ~ I'M NOW OFFERING PENCIL...

Sarah Buell Dowling Spring Blog 2016

I'm madly painting and framing in anticipation of this Spoleto Festival. I have no idea what to expect, but I'm hoping that the people who might like my work will find me. As you can see from the paintings on this post and in the side panel, I don't have one style. I...

Sarah Buell Dowling’s First-Ever Sale

I’m posting birds probably because it’s spring, and we’re moving, and I’m decidedly feeling the nesting urge. Our house has sold, but we’re not clear where we’re headed yet, except we know we’re staying in Charleston.

Royal Tern

I want all my paintings to find a nice home where they’ll be loved and bring a smile or provoke a thought. The best way to do that, one would think, would be to have a sale.

All my paintings will be anywhere from 20% to 25% reduced. Gag!

I’m hoping this blog will, perhaps, cause you to feel the nesting urge, and bring one of these paintings into your home.

§

This little Wren just found a home! He was grabbed on Instagram before the sale even began!!

I had to paint this Wren as he’s been sitting on my kitchen window sill chirping his heart out. I figured he was singing “paint me!” And so I did.

Singing Wren

COME TO MY STUDIO!

1393 SOUTHERN MAGNOLIA LANE MT. PLEASANT, SC 29464

Friday, March 31 ~ 4 – 9pm

 

Saturday, April 1 ~ 10am – 3pm
 
OR PEEK IN ON MY WEBSITE

Thanksgiving Blog

Sarah's Update  What a year this has been! Most of it has been dedicated to illustration and the publication of our book, Frog's Rainy-Day Story and Other Fables. I've been able to grab time to fit in these little paintings, which I've grown to love. I have them...

James’ New Puppy

This is James and his new puppy. His grandmother (a dear friend) asked me to paint a portrait as a Christmas present to her son and his wife. She wanted a soft look, and watercolor is a perfect medium for that. I was given a 3"x5" photo from which to work, and the...

Pastel Portrait

     A dear friend, Jan Fincher, asked if I'd do a pastel portrait of her three children when they were little (being now fully grown with children of their own).      She then gave me a wonderful 3x5 photo taken many years ago of the kids in a bed of tulips!...

Out On A Limb

Out On A LimbThis piece, "Out On A Limb," was so much fun to paint! This is a watercolor on watercolor canvas, which I've never used before. Every medium has its own very distinct look. This wood stork is young. Notice that it still has tufts on the top of its head,...

Charleston At Dawn

This is a commission that I just finished for someone who had seen the photo (below), and wanted me to paint it. I knew that the photo below (taken by Luke Champion, a teenager who has split-second reflexes) needed to be a watercolor, as there were these wonderful...

Winter Rose

How this still life evolved I started out with this rather pathetic setup. The rose was dying, and I'm working against time. I loved the light on the vase, and the colors in the rose, but not the pine table top. This is when I decided to improvise.    I laid in the...

The Pink Hat

"The Pink Hat" is a painting I've been wanting to do for months! A dear friend had been to Uganda, and this little girl's picture was among the photos. Her innocence was so compelling. So was the hat. Interestingly, the most difficult part for me were the hands. The...

Portrait of a very dear friend

"Doots" My childhood best friend, who died last year was just so full of life! She loved to laugh. We met in pre-nursery school, and were both "Doots." We started the renowned "Doots & Doots Detective Agency"... solving all manner of crimes...often ones that we...

Teaching this class was so much fun!

I taught my first class! They liked it!! Who knew....   When I was in my twenties, I taught an art class of about twenty students, all ages. Within several weeks, most of the class had evaporated!  After that, I determined that I should leave teaching to...

Painting On A Billboard!

  I never thought that a painting I did with enticing lips would be chosen to be on a billboard!     A wonderful group called "ArtPop" (ArtPop Street Gallery) is on a move to fill billboards all across the US and eventually even in Europe with art!...

Sarah Buell Dowling’s First-Ever Sale

I'm posting birds probably because it's spring, and we're moving, and I'm decidedly feeling the nesting urge. Our house has sold, but we're not clear where we're headed yet, except we know we're staying in Charleston. I want all my paintings to find a nice home...

Christmas Commission

This painting was a Christmas gift from Luke to his wife, Rosie. Tackling this portrait was scary because I know Rosie, and I wanted this to be good, PLUS I’ve never done anything with this many different personalities in one portrait. I mean, look at the...

Christmas Blog

  Merry Christmas & Happy New Year to All!   Sarah    

Blog

Merry Christmas & Happy New Year to All!            

Holiday Season Blog

"SOPHIE"   Pastel Portraits Make wonderful Keepsake Gifts! "Two Asparagus" - watercolor print "Shallots" - 11" x 11" watercolor available for sale "Merry Christmas, Sophie" - Personalized digital print fits right into an 11" x 17" frame ~ wonderful gift for a child ~...

Pastel & Charcoal Pencil Portraits!

"SOPHIE"   I'm now offering colored pastel as well as sepia and charcoal portraits! These make really wonderful gifts! Patrick’s boys actually picked the charcoal as the look they would like. They’re thrilled! To see more portraits and to order click...

PENCIL PORTRAITS

Image size - 11" x 14" Matted size (ready for framing) - 16" x 20"                        ~ 3 DIFFERENT CHOICES sepia on toned tan paper sepia on white drawing paper charcoal on toned gray paper                        ~ I'M NOW OFFERING PENCIL...

Sarah Buell Dowling Spring Blog 2016

I'm madly painting and framing in anticipation of this Spoleto Festival. I have no idea what to expect, but I'm hoping that the people who might like my work will find me. As you can see from the paintings on this post and in the side panel, I don't have one style. I...

Sarah Buell Dowling Fall Blog

Sarah Buell Dowling Fall Blog

Still Life in Oil

Still Life in Oil

I’ve not done very many paintings in oil, nor am I a still life painter, but I recently took a workshop with Chris Groves, a very talented, Charleston-based painter, and above is the result.

Oils are messy! But I LOVE that you can change up, reposition, and recolor, which is much more difficult to do with watercolors. I love the transparency of watercolors, but I love the texture and freedom with oils. They each have their own beauty. My only obstacle yet is to find the medium with which I can create line, which is my first love. I’m pushing to find where I can create what’s on my heart with which medium with the greatest effect. I truly welcome comments, critical or otherwise!

The idea was to set up the still life in a box with a light aimed on the subject creating a dramatic effect of light and dark, a technique known as “chiaroscuro,” a method perfected by Rembrandt.

Still life set against cloth background

Still life set against cloth background

Here the still life is set up in a box using fabric and draped behind the vase and orange. The light is affixed on the left side of the box aimed at the vase and orange. The drama is set!

Laying in the ground

Laying in the ground

We first chose a color palette, from which I deviated enormously, so I didn’t include it. We next lay in a reddish/brown pigment on the canvas, and lifted paint with paper towels while it was still wet to create the values (from light to dark), and the composition.

Blocking in the colors

Blocking in the colors

Here I’m laying in blocks of color, and trying to figure out what I’m going to do with all that fabric on the left side of my painting. Where do I want the focal point to be? Am I creating contrasts using only lights and darks? I want to remember to use cools against warm (the orange against the vase) to create contrast. You also have to consider that, even if you like something about a painting, you might need to eliminate it as it adds nothing. I was attracted to the shadow to the right of the vase, but I had to tone it back as it was drawing the eye there rather than to the vase and the orange.

This is the workspace with the actual still life in the background

This is the workspace with the actual still life in the background

This picture shows my workspace with the still life in the distance.  This was only a three-day workshop (six hours/day), so you have to work relatively quickly.

Nearly Done

Nearly Done

Now it’s getting to the hard part – looking critically at the composition and contrasts. Am I creating enough light and dark? Is the background staying back or competing with the foreground? Is everything too much in the “middle ground?” How do I  make the vase sit on the fabric; are the shadows convincing? These and many others are questions that go repeatedly around in my mind. How much reflection should the orange create? This is where I make my own decisions, and am no longer looking at the still life. I want the warm of the orange in the fabric, although it’s really not there. How far do I push it? Is the brown in the background a warm brown or cool? The shadow in the fabric as it turns towards the floor needs to be warm in order to come forward in front of the blue vase.

Still Life in Oil

Still Life in Oil

This is the final piece! In the painting, the vase is more aqua but I need to invest in a better camera… I hope I’ve given you some indication of how difficult painting can really be. It’s a shortcut, for me, to brain implosion. I don’t do landscapes because there are so many decisions to make, so many colors, so many lines, so many blocks of shade and light. Perhaps, when I’m more adept, one day I’ll attempt one and succeed. This painting, however, was great fun, and I felt somewhat successful.
We’ve finally settled into our new home. My studio is presently in the dining room….I like that it’s next to the kitchen…
HAPPY THANKSGIVING TO EVERYONE!

 

To Purchase any of my work, please phone 1-912-223-8674 or email me from my contact page. Thanks!

Spring News

Spring News

Spring is here (gorgeous!), and it’s time to tend to my long-overdue blog.

Oil painting of seated woman

Study of seated woman

I’ve been working on a number of pieces over the last months but I’m going to take you through this one that I’ve been painting over a number of weeks. I”m attempting a style of painting called “Tenebrist,” in which most of the figure is engulfed in shadow, but some parts are dramatically illuminated by a beam of light (in this case a spotlight fixed on the side of a black-encased box which is aimed on the model). Caravaggio, a Baroque artist, is generally credited with the invention of this style.

Start of glazing technique_oil painting

Study for Glazing

The first step in preparing the oil painting is laying down a background color, usually a dark reddish/brown, with an acrylic paint.

The next step is to lay out the drawing (this model is quite ample and a delight to draw), and lay in the lights. The oil paint is very much thinned down with linseed oil to create a thin glaze. I was fascinated with the way the light illuminated her skin, a bright red, winding it’s way up her leg, through her body and resting on her face. She has a wonderful head and chinline. I might add that she’s a terrific model as she never moves!

Second phase of glazing

Second phase of glazing

After the painting dried for several days, I next lay in a rose color as a glaze; namely a very thin layer of oil paint and linseed oil. The rose color, interestingly, over the dark brown becomes a dark blue. The remainder of the painting is done in layers of a thin glaze which, being translucent, gives a feeling of depth to the figure. Vermeer is one of the masters who used this technique beautifully!

Third phase of glazing with oils

Third Step in Glazing

This was the third week of adding glaze. It’s a long process and I have to admit I didn’t always glaze but added full color in order to move along faster. Also, I decided I’d enter a local competition and felt uneasy with this model being unclothed. So, using a slip that I had, I improvised and added a slip to the model. I’m sure it’s not as good as it would be if I had the real thing to look at but I loved the subtle colors of blue/green complementing the rose of her skin.

Close-up of study

Close-up of face of model

Oil painting of seated woman

Study of seated woman

That’s it for now. I learned a lot from this study, and I hope you learned something from my description as well.

I just started a watercolor of a barn and a horse, which I’m painting for a fundraiser at my daughter’s school. It’s for Derby Day, thus the horse. Next blog I’ll try and do a sequence of that piece so you can see how watercolor works. It’s very different from oils. I really love both mediums; each has it’s own beauty.

Happy Spring!

Sarah

This Time What’s New?

Heron lifting off

This oil painting is based on a photo taken by my friend, Malcolm Hughes (www.mhughesart.com), and was photographed on Jekyll Island, GA, a beautiful coastal island of inlets, marsh, and native and migratory birds.

It took me forever to figure out what was going on in the left wing as it really is a study in movement. I want to do a large watercolor of this piece as I love the way the wing disappears and reappears as the light hits it.

Oil and watercolor are so different. With watercolor you would be able to blend the background and wing. If you saturated the paper, lay the paint in, one color following the other (with watercolor your paper is usually at a 45° angle so that the paint runs down the paper), the colors would blend. This effect would be almost impossible to render in oil. With oil you can move the paint around and change things so easily but blending is, to my mind, more difficult (I’m reasonably proficient in watercolor but still a babe with respect to oil). Watercolor is not as forgiving as oil but you can lift color, and it’s easier than people realize – Magic Eraser not only cleans the floor but it works wonders at lifting pigment…

I’m amazed at how much white paint you use with oils. It’s just the opposite with watercolor. You don’t even use white paint. You just work around the white of the paper or lay down a very translucent wash, and lift with your damp brush where you want white.

I don’t know if you want all this information or not but my husband says that people are interested. Let me know as I thought I might take pictures of my process next time so you could see how a painting evolves.

Oil painting of little girl I saw on Saba, a Caribbean island

Little Saba Girl

This is an oil painting of a little girl I saw on Saba, an island in the Caribbean. I loved her expression, and the Spanish features of her face, the young nose that is still flat at the tip. It is really difficult to do the eye in this position. It’s so easy to make someone look rather bizarre. I love her mouth. Beautiful!

Watercolor of man at Gould's Inlet

This is a watercolor of a man fishing at Gould’s Inlet where I walk every morning with my dog. I’ve painted this fellow numerous times as I love the colors and the lighting of the hat, his skin, and the shirt. There is great challenge in not only making the light and colors sing, but in making the shirt hang well. I love painting fabric that is lit in some way.
Sarah and Maisy at the beach

May you all have a blessed Thanksgiving,

and a very Merry Christmas!

Prophesy in Isaiah of Jesus
Isaiah Prophesy

 

www.sarahbuelldowling.com
[email protected]
912-634-1577