Autumn Blog

Autumn Blog

Thanks for peeking in here! Teaching is not my forte’,  but I hope you enjoy this attempt to show you a bit of the watercolor process.

To begin,  I placed this painting on a board at about a 45°  angle. I taped it down, and then started drawing. Below is a sketch of the two hens I drew on the paper. Normally, I draw with a very light pencil so the lines can’t be seen through the paint. Here I’ve darkened them (in Photoshop) so you can at least see them… the bottom of the drawing got so dark, I had to eliminate it…

Drawing of two chickens
First Sketch of Two Hens

Next,  I laid in the shapes, the lights and the darks. I decided to use black India ink in some areas as it’s more intense than watercolor and has it’s own interesting properties. I put ink on the tails and around the feet of the two hens.  Water dropped on the ink causes it to fan out and makes an interesting effect as on the dark hen’s tail tip.

Laying in the colors, lights and darksLaying in the Colors and shapes

I continued to layer the colors going from light to dark (with oil paint, you generally go from dark to light), testing the colors on the paper next to the painting, finding the color I need. You can see on the feathers of the orange hen the layers of color, especially on the closeup of the finished hen.

Next step Chickens – Third Step

Closeup of orange chickenCloseup of Orange Hen

The painting is almost finished except for defining the beaks, and laying in the sky and clouds. This is hard to show as it happens so fast (maybe I’ll do a video some time as the process is really fascinating, I think). First, I carefully wet the background around the hens down to the rails (saturate might be a better word). Next, I mixed a large amount of Cobalt Blue paint with a little Quinacridone  Coral.  Then I lay the paint across the paper, starting at the top.

Because of the angle of the board, the paint descended – fast! I kept laying in the original color as it descended down the page. As I got closer to the girls’ heads, I started dropping in a pink/coral color and some Quinacridone Gold. You literally do drop the colors in and they fan out and blend, creating a beautiful look which is unique to watercolor. It’s beautiful!

There are several techniques for creating clouds. The one I use most often is to take some paper towel (Viva) and lift the paint while the paper is still quite wet. You can also lift with a paint brush, or wait until the paint dries and lift with a small scrub brush. Watercolor paper is extremely durable, and you can scrub and lift. Even Magic Eraser ( like you use on your kitchen floors) works great!

Watercolor showing how to lay in the skyAdding the Sky

Here is the finished painting – sky, beaks and all.

What’s New

What’s New

Katrina in watercolor

This piece, “Pensive,” won first place and People’s Choice Award at the Jekyll Island Art Show. This is a watercolor painting of my daughter, and what I really loved aside from her stance was the light on her blouse and her hair, and the orange of the bench.

Two Old Friends holding each other
Two Old Friends

This watercolor, “Two Old Friends,” was accepted into the Southern Watercolor Society Exhibition and won the North Light Books award. This painting was prompted by seeing a small photo of a group of people in a hospital. Several of the women looked like these two, and I was touched. This has a folk art feel to it, different from my more realistic stuff. I’m always trying to resolve the tension of wanting to illustrate/capture humor, and wanting to capture poignancy/reality. Maybe some day they’ll meld.

Wading Heron

“Dusk” was accepted into the Alabama Watercolor Society Exhibition and won the Georgia Watercolor Society award. This piece was based on a photograph by Bobby Haven of the Brunswick News, Brunswick, GA.

Carl Fougerousse, oil painting teacher
My oil painting teacher, Carl Fougerousse

This is an oil painting I did of my teacher Carl Fougerousse. The model never showed up so Carl sat. I was thrilled as he has a much more interesting face; great nose and hair! Good looking fellow!

I still want to work on the shirt. I’m fascinated with light on fabric. I guess I love the way light plays on almost anything. God’s touch.

That’s it!