"GREAT BLUE" At last I am finally painting! "Great Blue"Â (oil on canvas) has been a long time in the making. The piece below is the initial painting. I love the blues in that piece but I was more interested in achieving a more natural look. I've done few landscapes,...
The Pink Hat
“The Pink Hat” is a painting I’ve been wanting to do for months! A dear friend had been to Uganda, and this little girl’s picture was among the photos. Her innocence was so compelling. So was the hat. Interestingly, the most difficult part for me were the hands. The way the lighting fell on them, and basically removed the dark brown color, made for an interesting problem. How to place the light and not draw the eye there as the subject was really the face!
I forgot to take a picture of the initial drawing. Frankly, I’m amazed I remember to take any pictures at all. I get so immersed in the paint that I forget where I am.
She looks a bit strange…however, I’m trying to locate the shapes and values. The lines had already suggested the movement or placement.
Where are the darkest darks, the midtones, and the light?
I’m still laying in the darks, and finding the placement of the facial features.
She’s starting to take form, and I can lay in the hat, which I’ve been dying to do. I just love her expression!
The wonderful part of being a painter is that you can decide what you want to emphasize or not. What color should the background be? Green is the complement of pink…does that work?
I love her outfit. Again, what shadows do I bring forward (with a reddish tone) or set back (with a cool blue or blue/black). You can create great tension with cool colors against warm, not just light against dark.
I decided I wanted a Ugandan countryside behind this little Ugandan girl. It’s filled with greens, pinks and oranges.
Now I’m moving to the hands with the gown as the background.
Her right hand was interesting in that there were so many colors, shapes, darks and lights.
The left hand was a bear! Hands are so expressive. I remember my mom’s hands so well…she who couldn’t sew on a button, but spoke volumes with her hands. I wanted these hands to express a certain vulnerability. Only time will tell if I succeeded or not.
Here’s the final piece. I decided to go with the left hand connecting with the right but relaxed as she’s not thinking about her hands. This hand was rough as I stated before. You have to be careful where you want the eye to go. It will be drawn to the light, and the hand is not the subject but, hopefully, an added statement.
THANKS if you managed to get to the end of the blog! Please comment if you have things you’d like to know or if I’m not conveying my thoughts in a way that makes sense (which is highly probable..).
’til next time!
Sarah
Fall Blog 2015
SPRING 2015 IS HERE!
I saw this spoon in a drawer of antique silverware belonging to my mother. I was struck by this particular one and its simple beauty. I loved the way the silver caught the colors that were nearby: the orange ruler and the aqua of a glass bird. They really...
Sarah Buell Dowling Fall Blog
I've not done very many paintings in oil, nor am I a still life painter, but I recently took a workshop with Chris Groves, a very talented, Charleston-based painter, and above is the result. Oils are messy! But I LOVE that you can change up, reposition, and...
May Blog
I painted this somewhat abstract painting, "Cautious" in response to seeing a photo of my aunt (taken somewhere around the mid-1930s) hiding in the back of a room peopled with mostly old women wearing assorted hats and solid shoes - perhaps, a garden club...
Cautious
Taking Off
Two Old Friends
Pensive
Anite
Felder Ann
Ram In the thicket
Dusk
Grey Day @ Gould’s Inlet
Watercolor on Arches cold press paper.
Just Fishing IV
"Just Fishing" is a watercolor done on Arches cold press paper.
Hydrangeas
Poppies
Early Spring Blog
A season in my life comes to a close. Time to see what’s next.
